What about sleeping a little longer and forgetting all
this nonsense, he thought, but it could not be done, for
he was accustomed to sleep on his right side and in his
present condition he could not turn himself over. However
violently he forced himself toward his right side he always
rolled onto his back again. He tried it at least a hundred
times, shutting his eyes to keep from seeing his struggling
legs, and only desisted when he began to feel in his side
a faint dull ache he had never experienced before.
Continuing in our abiding interest in forensic entomology, this
"September" issue of The Transcendental Friend
features state-of-the-art freeze-fracture images of the drosophilia
(fruit fly) brain, a catalog of moths and candles and the images
they illuminate, five excurses on the Romanian night (for which
candles), and the brilliant light of Reason of Today's Not Opposite
Day (or, The Night) (or Night) for which sleep and monsters etc.
Which is to say:
Ten sonnets by Tim Atkins, in Laird Hunt's Bestiary.
The Comte de Montesquiou's "Moth," presented by Jeffrey
Jullich in Idiosyncratica.
Five early Romanian poems of Paul Celan (!) translated by Julian
Semilian & Sanda Agalidi, in Leonard Schwartz's Report
from the Field or Afield or a field.
Mike Kelleher's "Revue" of a poem by Charles Bernstein,
in Dan Machlin's Review.
Dept. of the Investigation into Truth in Entomology
School of Japanese Film Culture of the Post War Period